Today is the third official “Before & After” post and today we have the band Fort Frances with their track “Hard Earned Heart”.  Fort Frances was most recently on the blog with their great covers project called “…As Told By” (see here) and once again provide some great music for us.

The song “Hard Earned Heart” comes from the latest FF album “The Atlas” from about a year ago with the demo being at least a couple years back.  Fort Frances founder David McMillin indicated to me that this song was a long time in coming and almost had a hard time fitting into their finished album.  Much experimenting and acclimating to a larger sound that Fort Frances has from the original demo might have been the hurdle to overcome.  In working with Sam Kassirer who produced the final album – they created a beauty from the bones of an already great demo.  The final version seems like it always should have, I guess the hard work behind the scenes does actually pay off for the listener after all!  Listen for yourself below.

And now the demo version:

“Hard Earned Heart (Demo)” – Fort Frances/David McMillin

As you can see the bigger sound of a full band/produced final version really accents this particular song from its more folk tinged beginnings.   Kudos on this one!

Visit and find Fort Frances: Website | Facebook | Bandcamp | Twitter

~Smansmith

The Church of the Good Thief Album Art

Courtesy of PropertyofZack (see their post here) we get the great news of the upcoming Andy Hull helmed Right Away, Great Captain! album.  This is news that warms the cockles as almost anything RAGC! is right up my alley and with the first streaming sample of the track Blame – this is going to be right in my driveway.  While the song has been circling with a demo style live recording for a while, this crisp and clean album cut really helps the song shine.

If you are familiar with Andy Hull (also of the band Manchester Orchestra) and his solo efforts, which tend to be more stripped down recordings as Right Away, Great Captain! you will not be disappointed.  His delivery is always spot on and the timber of his slightly just a bit higher pitched than you thought it would be voice just works.  It pierces right through me.  When Hull is “on”, the songs he sings just carry such an incredible weight and hit with a hammer.  This is great stuff.

The album, The Church of the Good Thief, will be out in in just over a month (June 12th) via Favorite Gentlemen Recordings and there should be a pre-order next week with a bunch of extras.  Oh, did I mention there will be a 4 x 4LP edition that includes the two previous albums?  I believe a ‘holy sheeeet’ is warranted, but that might just be me.

Find more on Right Away, Great Captain!: Facebook | Favorite Gentleman Recordings

~Smansmith

Volume Two!

I happen to also run Yer Bird Records and with that I hear my fair share of demos.  Well one of our artists is the Philadelphia based band Hezekiah Jones.  This group of musicians fronted by Raphael Cutrufello are crazy talented and run the gambit from heart crushing folk ballads to down home Southern porch jams.  Their penchant for use of instrumentation is one of their signature sounds and it really comes out in this ‘Before & After’ track Borrowed Heart.

I think in the musical genre of “folk” this is a great example on how a song can grow leaps and bounds.  In all fairness, going from an acoustic solo demo to a fully produced track by the good people at Weathervane Music for their Shaking Through Session (see here) is not normal, but sure works good for this series!

So a lot of us have heard the final version of the track so I thought I would go backwards on this one.  Let’s first listen to the beautiful production on the final version of the song “Borrowed Heart” after the Brian McTear (production) & Jonathan Low (Engineer) had their way with the bones of the song.

Stunning right?  Now, the original demo probably hasn’t been heard by too many people outside of the Jones’ crew and the Philadelphia crowd, so this is a real treat for a lot of us (myself included).  Listen to the original demo of “Borrowed Heart” as played by Raphael Cutrufello.

“Borrowed Heart (Orig. Demo)” – Hezekiah Jones

There you have it, start to finish.  How was that for a transformation?  Regardless of really liking more acoustic stuff, I can truly appreciate the hard work and production value adorned upon this track from the WXPN/Weathervane Music session.  You?

Find out more on Hezekiah Jones:  Facebook | Twitter | Label
Find out more on the Weathervane Music/Shaking Through sessions: Website | Bandcamp

~Smansmith

p.s.  A great look at creation of the final song can be seen on the video from Shaking Through here.

Fort Frances recently added to their cover song output with the Paul Simon penned and Simon & Garfunkel performed “The Only Living Boy in New York” off the legendary “Bridge Over Troubled Water” album.  Regardless of it being a folk staple, I come away from it quite pleased.  Considering they did a great cover of Beck’s “Guess I’m Doing Fine” from his (imho almost legendary) album “Sea Change” a while back, I find myself not surprised.  Listen to both below.

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You might also want to listen to the band playing their own music.  Consider the covers your gateway songs to the band at a minimum.

Find more on Fort Frances: Website | Facebook | Twitter

~Smansmith

Sometimes a band name is so spot on and so accurate that it is not just the moniker of the musician(s) but speaks to what they are about, sound like and what the listener will feel when listening.  Well, Rural Ghosts is just such a band that finds itself in this position.

Rural Ghosts and the self titled 6 track EP (of course it is self titled, how could it not be?) is a recent listen for me and I am glad Erik Neilson (the man who we speak of when we say “Rural Ghosts) thought I would like a listen.   And like I do.

RG speak to what Slowcoustic might be really about.  If the description provided on the Facebook page is any indication how could they not be on this blog?

“Sparse ballads of death, love and regret, set against the thick & mysterious ambiance of Maine’s North Woods”

The songs are lo-fi and echo with intimacy.  I don’t want to assume the songs are at all autobiographical, but you always feel this way when someone rips out parts of themselves and plays music to it.  The songs are all completely acoustic and consist of guitar and voice with even the “air” around the recording adding to what is going on here.  Neilson creates songs that cause time to slip and people to slow down and listen.  While not overtly gothic sounding, the songs mix beauty and sombre like they were childhood friends reuniting after many years apart.  And they pick up exactly where they left off.  It is like the two were never apart at all.

“Bright Side” – Rural Ghosts

You can find Rural Ghosts on Facebook, Reverbnation and purchase on Etsy (yes, Etsy).

~Smansmith

Damien Jurado - image by Sarah Jurado

I discovered/remembered the other day via a random search in my iTunes library about the Damien Jurado demo for “Nothing Is The News” on his new album, Maraqopa.  When I first heard the new version, it didn’t immediately strike me as the demo that we posted back in 2010 (see post here with a couple other tracks) despite the first 30 seconds being almost identical.  I now find myself expecting that electric guitar and percussion to kick in at about 35 seconds in…where the demo now feels “unfinished”.  I guess that is the idea behind a track’s journey from thought, to demo, to final album version.  Of course working with Richard Swift (as Jurado did with Maraqopa) you know that he probably would not allow a solo acoustic song anyway!

So with the new version of Nothing Is The News being over twice as long, you know it has made a longer journey than most songs from the demo stage – especially for an artist who is loosely placed in the ‘singer-songwriter’ genre.  So I look at both tracks being almost two separate songs now.  One the early morning shuffling around the house version and one the driving around the Hollywood hills just prior to sunset version.  I will let you decide which is which.

aaaaand the video for the album version:

Visit Damien Jurado: Website | Facebook | Twitter | Secretly Canadian.

~Smansmith

Field Report (Christopher Porterfield, formerly of the band Conrad Plymouth) has a new album coming in July and I am very excited for it.  If you look for songs thick with emotion and sharp lyrics, than this is your guy.  I think “Fergus Falls” really clinched it for me from a while back that I would be watching this guy forever on what he is recording and releasing.  He has a few tracks streaming from Partisan Records (although a recent Pitchfork article indicated the album is “self released”) that you can sample below.  The latest song to emerge from what looks like a 9 track album is ‘Taking Alcatraz’ and it is my current favourite track easily.

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Visit Field Report on the new website or like on Facebook.

Next we have the new musical endeavor of Brian Borcherdt called Dusted (this is the place where I say “of the band Holy Fuck”).  The album is also staying true to the new name as it is called ‘Total Dust’ and will see a release on July 10th (maybe it will share a release day with Field Report!).  The new album has some teaser videos and a lead off track of hazey indie pop that is currently auditioning for my spring/summer “jam”.  It is a little more upbeat and layered than his previous solo work on the blow-your-mind-album ‘Coyotes’ from 2010 and I have faith it will be a worthy release at a minimum!  You can currently pre-order it over on Hand Drawn Dracula in Canada (here) & Polyvinyl in places that are not Canada (here).  Listen to the lead off track ‘(Into the) Atmosphere’ below!

Bonus Video Teaser for the new album below.

Dusted – Teaser 1 from Hand Drawn Dracula on Vimeo.

Visit Dusted on the new Website and like on Facebook.

~Smansmith

Soooooo…what are you purchasing today?  Are you purchasing today?  Are you aware it is Record Store Day?  No, you should look into it by visiting the website for info (I know readers of Slowcoustic know this, this is just a ploy to offer the RSD website to the uninitiated).

I am feeling especially lazy today as it is the weekend and I plan on drinking beer in a pub with my lovely wifey while eating terribly unhealthy food and discussing what we are going to do with our millions of dollars from “trickle down funds” that an older family member wins in the lotto.  You know…Saturday.  So there are stores here in Calgary that participate in RSD (Sloth Records for one – I spent RSD2010 here) but today I fear I am not going to make it past the very edge of the suburbs, hence no bitchin record stores.  This is a tragedy in itself, so I urge you all to visit and purchase something, anything from your local independent musical emporium.

That being said, the musicians are the reason we have records and they often need help as much (if not more) than the record stores themselves.  So there is always purchasing albums online!  We do live in the future after all and can receive goods from around the world with a few clicks of a mouse.  I will pimp my own online label shortly because I can but I also want to see what y’all are picking up?  Are you picking up a RSD2012 specific item or just purchasing an LP you have always wanted but just needed that little push?  My last RSD purchase was the album “Tallahassee” from The Mountain Goats and the self titled “Daniel, Fred & Julie” vinyls.  They are fan-frickin-tastic.  They obviously were not RSD specific albums and I plan on doing a similar purchase today.  I am thinking the new Horses Feathers album “Cynic’s New Year” or the Cold Specks pre-order of “I Predict a Graceful Expulsion” (listen to a track from the Cold Specks RSD2012 release over on The Blue Walrus).  Both are amazing albums and you will want them both on vinyl.  So those are my choices, how about you?

Now we are also having a Record Store Day 2012 over on Yer Bird Records for the two releases we have on vinyl – Hezekiah Jones’ “Have You Seen Our New Fort?” and Ghosts I’ve Met’s “From A Spark”!  Both are great listens and at 50% off (!!), they are a no brainer…if we say so ourselves.  Listen to each below and click over and use your DISCOUNT CODE: “rsd2012“!!  Vinyl only folks.

There you have it.  Enjoy this 2012 version of Record Store Day!

~Smansmith

New EP from Akron, OH based White Pines is out today!  The 5 track EP is now available from our Yer Bird Records Bandcamp page right here.

I have come to really enjoy the driving force of White Pines, Joseph Scott, and his uncanny ability to bring folk acoustics into a part ambient, part folk rock vibe.  While being a stellar solo acoustic performer, he can build on a track and bring a fuller sound without taking away what you enjoyed about the “folk” aspect of it in the first place.  While it isn’t exactly jangly indie rock that all the kids are talking about, it is still a jump up for this slow and acoustic guy!

If you enjoyed the previous full length album ‘The Falls’ from White Pines, this 5 track EP falls in line with it’s overall sound and would fit nicely into being its companion.  The stand out song here is Bluebird which we have included below in both the original porch-side demo performed solo by Joseph Scott and then the EP version which shows a bit of a before and after in his song-crafting process.

So swing by and pick up a copy of the digital EP over on the Yer Bird Records Bandcamp page and we should have a link to some physical CDs in the very near future, so keep an eye out there as well.

You should be able to grab one of those physical CDs at his upcoming show this weekend if you are in the Cleveland, OH area when White Pines opens for Lambchop(!!).  See info on/rsvp to the Facebook event that just went up HERE and see the details below for those non-FB types:

Lambchop with White Pines
Beachland Ballroom
Sunday, April 22nd, 2012
7:30 pm
$15.00
(Tickets)

Visit White Pines: Album Bandcamp | Label Page | Facebook | Twitter

~Smansmith

Doug Paisley - courtesy of No Quarter

Doug Paisley is the kind of guy you just want to root for and enjoy his great music.  I tend to think his music is great in the first place, so thinking that I should *feel like* I should like him only works even more for me.  I don’t know why I think this, but maybe being Canadian, I feel that both me and Doug are already behind the 8-ball.  Regardless of feeling sorry for myself (and non ceremoniously for Paisley), I feel like Doug provides some excellent music that leap-frogs any scenario of Canadian-ness and lands in a “just plain good music” territory.  He has a new EP coming out in a matter of minutes (April 17th on No Quarter) and a new album coming out later this year I believe.  You should be anticipating both.  I just felt I should post after seeing the fantastic video from Southern Souls (below) and thinking that I should be pushing this son-of-a-bitch on all of you.

DOUG PAISLEY – To & Fro from Mitch Fillion (southernsouls.ca) on Vimeo.

Find one of his new tracks “Bats” from the 5 track EP streaming below (courtesy of Paste Magazine):

Find out more on Doug Paisley: Website | No Quarter (label)

~Smansmith

p.s.  Find a track from our Slowcoustic Best of 2010 Canadian Music here.

I have to apologize for this quick post but I wanted to make sure y’all had a chance to listen and swing by to visit Hip Hatchet today on his album release day!

Today sees “Joy and Better Days” released over on the Hip Hatchet Bandcamp Page (HERE) and comes with a Slowcoustic recommendation.  The album can be considered “folk”, but with Philippe Bronchtein’s vocals giving you a Bill Callahan vibe, you know you are getting more than just a “folk” album.  I will delve into the album further on future posts here on the blog but today is the release day and you need to swing by and give it up for the album!

BONUS: “Child’s Hand in Dirt (Demo)”

Today we also have a treat as Mr. Hip Hatchet has agreed to have us do a before/after post on what is now one of my favourite tracks on the album.  Please enjoy the demo and album version of “Child’s Hands in Dirt” above!

Visit Hip Hatchet: Bandcamp | Facebook | Twitter

~Smansmith

Every once and a while (and I honestly mean only once and a while), I latch onto an album that isn’t quite a traditional “Slowcoustic” album.  For the last few months it has been the newest album from The Wooden Sky “Every Child A Daughter.  Every Moon A Sun”.  It is a spectacular album.  Period.

I wanted to make sure you are aware of the Scott Cudmore directed video series “Grace On A Hill” or “Grace On The Hill” – both titles are currently listed…so, I am not quite sure which is official.  Anyway, the series which features the band playing 5 tracks (currently at episode/track 3) needs to be seen because it is frickin’ fantastic.  I also might be extra biased towards the videos as I am still so enamoured with the album itself.  While it is still not a hard rockin’ album, it has moments so full of energy and passion that it doesn’t need 180 bpm drums and 4 guitarists wailing away – it’s energy is pulled from strong lyrics, sung with conviction and a soundtrack that ebbs and flows directly into the listener.  Truly an album on my best of 2012 list and am pretty sure it will remain there regardless of what else comes out this year.

Watch the current videos for the Grace On A Hill Series: 1) Bald, Naked and Red, 2) Child of the Valley and 3) Dancing at my window.

The Wooden Sky – Grace On A Hill Pt 1 – Bald, Naked and Red from Black Box Vimeo on Vimeo.

The Wooden Sky – Grace On A Hill Pt 2 – Child Of The Valley from Black Box Vimeo on Vimeo.

The Wooden Sky – Grace On A Hill Pt 3 – Dancing At My Window from Black Box Vimeo on Vimeo.
**UPDATED WITH EPISODE FOUR:

The Wooden Sky – Grace On A Hill Pt 4 – Malibu Rum from Black Box Vimeo on Vimeo.

~~~

Find more from The Wooden Sky: Website | Facebook | Twitter

~Smansmith

Good Friday Coffee Drinking!

A little bit of this and a little bit of that – today being a holiday I am without focus as I am just excited to be in comfy clothes and drinking LOTS of coffee at will.  So I thought I would post a few items that have made an appearance in the last bit for your bag of mixed goodies this Good Friday.  Today we have three options for your listening enjoyment in Trotting Bear (with Andy Berkhout) and their video session at Show Me Shows, Pickering Pick doing a great Nick Drake Cover and the lead off track on the new Jos Fortin album!

First off, visuals to awake you gently with the beautiful sounds of St. Louis based Trotting Bear!

Trotting Bear – Feet On The Ground (A Show Me Show) from Jarred Gastreich on Vimeo.

Visit Trotting Bear: Facebook | Website/Bandcamp
Visit Andy Berkhout: Facebook | Website

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Next we have Sam Pickering Pick’s cover of Nick Drake’s ‘From The Morning’.  I mentioned on Twitter when I first heard the track that Pickering Pick lends to a perfect person to cover Nick Drake – it just feels right and easy coming from him.  And it’s a free download for all you mp3 hording types!

Visit Pickering Pick: Website/Bandcamp | Twitter

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Next we have the lead off track from the new album from the Canadian folkie’s new album ‘Typewriter’.  There is just something about the song ‘So Far’ – it is traditional sounding but feels so new…maybe the echoing electric guitar paired with acoustic while there is an almost ambient background swirling around you.  Stunning.

Visit Jos Fortin: Bandcamp | Web/Tumblr

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Enjoy your Friday folks, drink more coffee in comfy pants for me, K?

~Smansmith

Been looking forward to Jesse Marchant’s (JBM) new album ‘Stray Ashes’ since I heard about it.  As he only makes great albums – if he has a new one, by default I am looking forward to it.  So I have been meaning to mention it here on the blog and once Music Savage (see their post here) posted on the latest track ‘Winter Ghosts’, I am now VERY MUCH looking forward to it.

The first single was actually ‘Only Now’ that premiered over on Paste Magazine’s website (here) and it is a great piano laden song with Marchant building up the almost upbeat track till just past half way when it reaches its peak before returning to an almost ambient collection of pure JBM.  The ebb and flow of that track really works for it.  Now below we are posting the second single ‘Winter Ghosts’ which comes in at whole other speed than ‘Only Now’ and it is a doozy.  This is where JBM shines – the song is whisper quiet at times and also builds (but in a much much less subdued way – you might even need headphones to really get that impression).  The slight echo in the vocal track, the ghostly backing sounds and lightly picked electric guitar meld into the song perfectly.   A beautiful must-hear song that proves the new album, Stray Ashes, will be a must-have.

“Winter Ghosts” – JBM
from the album ‘Stray Ashes’ – due May 22nd on Western Vinyl

Visit JBM: Website | Facebook | Western Vinyl

~Smansmith

Haven’t done a “new on the nets” round up in a while so I thought I would plunder other blogs and find out the good stuff and post it here.  Rules of the jungle baby.

• We Listen For You had their (now annual?) Showcase at SXSW and once again did it on the acoustic tip.  I can appreciate this.  I also appreciate Bro. Stephen, Radical Dads, Conveyer, Dent May, Miracles of Modern Science, Kevin Barnes and The Henry Clay People taking part.  Watch some video from the event on the recap HERE.

• HearYa has given the stamp of approval to Field Report (nee Conrad Plymouth) and I have to agree.  Already pretty much liking whatever Christopher Porterfield has done it does stand to reason.  Need proof?

• The new album from Cold Specks is fast approaching.  The album has been in the works for a long time and the release can’t come soon enough.  Quick Before It Melts had the latest track “Winter Solstice” up on his blog in anticipation of May 22nd release of I Predict A Graceful Expulsion.  Listen.

• Next we have Draw Us Lines with their own event for the amazing Jennifer O’Connor.  They posted a preview of the show they helped put on from this past week (so…then…here is your…ahhh…heads up??).  Always enjoyed O’Connor and so then I also say thanks for the heads up on this little beauty of a track.
  

• BoyHowdy over at Cover Lay Down did a bit of a recap of the Couch by Couchwest “Festival” and we (Yer Bird Records) got a shout out from him as well.  Check out their recap HERE.  As we had the amazing Hezekiah Jones video exclusive to CXCW for the festival, there was no embed of it on the Cover Lay Down post…so then, here is the Chris Bathgate cover from Hezekiah Jones’ most recent album.
  Hezekiah Jones :: Last Parade on Ann Street (Chris Bathgate Cover – CXCW 2012) from Yer Bird Records on Vimeo.

• So you have heard me yammering about the Kim Janssen album Ancient Crime a few times (currently my favourite overall album of 2012) and Snowstar Records has been tweeting/posting about videos for the album, so I had to check it out.  They just posted the stunning video for the track Blyth Farjeon Choir.  Might not be for everyone, but it is beautifully shot and it is a moving track.  Watch below.
  

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There you have it.  Just me catching up on what others are doing.  Others are doing quite well apparently…

~Smansmith

As I didn’t have a specific reason to post today, I thought I would share some tracks that have been spinning on a regular basis while at home, at work and in the car.  I make massive amounts of personal playlists as I have a fairly long commute and I cannot stand being at work with only the sound of buzzing fluorescent lights.  So what am I saying?  Feel free to send me suggestions in the comments or even tweet at me on the twitters with any suggestions.

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Nice split 7″ now out from Kill County (with Good Saints) and I like it soo much we will be giving away a copy of it in the next 1-2 weeks, so keep an eye out here for that give-away.  Ever since their fantastic “The Year of Getting By” these Nebraskans have been on the center of my radar – this track “Brown Lee” is another reason why.

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While we are putting out Tyler Butler’s Winter King re-release in a few weeks at Yer Bird Records – I don’t want ya to forget about this little gem that has seen some repeated listens in the last week.  From his ‘Feral Horse‘ release in early 2010 continues to show the stark beauty in Butler’s songs.  Don’t miss this one.

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Jonas David was mentioned to me from April over at Common Folk Music and I am finally getting to listen to it – very nice moments of acoustic jams along with a bit of full band mixed in for good measure.  It really excels in the quieter tracks like “Let Me Live” above so check out Jonas David as this is another German who knows his stuff.

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Tim Showalter is now teasing us with a track before he digs into new music for Strand of Oaks.  This time we get the Weathervane Music helmed Shaking Through session with his track ‘Spacestations’.  There is a whole feature via Shaking Through and well worth a watch and it is a free download too!

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That is all for now, but I will be starting this type of post more often in order to get more music recommendations out to y’all.  Enjoy!

~Smansmith

Last year’s “Generous Shadows” from The Tree Ring was a personal favourite.  With songs (and videos) like ‘Wore It Deep’ they certainly prove a sense of imagination, beauty and essentially great song-crafting.  Well yesterday one of my online brothers (Adrian from I Pick My Nose Blog) gave me the heads up on a new video from The Tree Ring from a recent “Hike-In Show” they performed that is of a new track from a new upcoming album.  You gotta watch and fall in love with TTR all over again.

THE TREE RING: HIKE-IN SHOW from Destin Daniel Cretton on Vimeo.

Find out more on The Tree Ring: Website | Facebook | Bandcamp

~Smansmith

P.S.  Lead singer Joel P West also has some solo stuff worth checking out – see a couple of posts we had here and here.

Never has Malibu Rum sounded so good.

While I have orbited The Wooden Sky numerous times I never really took the plunge until recently when I spent some time with their recent EP ‘City of Light‘ which brought me to the new single from the upcoming album ‘Every Child A Daughter. Every Moon a Sun’.  Other than this post taking a huge tangent to “puns-ville” which I kind of apologize for, but maybe it will encourage you to take the time to listen to this excellent track.  The song starts out with a Hawaiian influenced vibe that gives way (mostly) to a pretty straight forward balladeer track.  Around here, a straight forward balladeer track is nothing to scoff at and can be extra refreshing.

The song feels timeless but still echos of something familiar.  I have decided the crisp production on the song gives you fresh ears in order to not shun the kitsch of hula girls & tiki torches that are only slightly blurred in the distance behind the acoustic guitar and pitch perfect sad sack vocals.  So then…I really like it.  Be on the lookout for the new album on February 28th when it is released by Black Box Recordings.  Did somebody say double vinyl LP??

“Malibu Rum” – The Wooden Sky
from the “Every Child a Daughter. Every Moon a Sun” album

Find out more about The Wooden Sky: Website | Bandcamp | Facebook | Twitter

~Smansmith

p.s.  The crew will be here in Calgary on March 31st at the Palamino for you locals.  More dates for you non-locals here.

Sorry for the neglect on the blog this week my friends.  I am also cheating and just providing a playlist of tracks I have been listening to…but let’s be honest here – it isn’t the superior journalistic writing that you are here for…you can tell me.  So then, let’s have some links to get some music that I have been enjoying and urge you to as well.

• Seattle Times and their 4 day feature on Damien Jurado covers to promote his upcoming album (my vinyl shipped yesterday!).  So far there has been Jon Russell, Pickwick, Al James (Dolorean) & Jeremy Enigk (Sunny Day Real Estate).  All are worth a listen, but RIGHT HERE you will find James’ version of Cloudy Shoes.
• Horse Feathers have a new album upcoming and they have finally dropped their lead off single via Stereogum.
• Jordan Klassen has a new EP out and there is some great beauties on it.  Currently my favourite is the track ‘Threads’ as it is finger picking indie pop perfection.
• We have been putting up new live videos of Tyler Butler over on the Yer Bird Records/Winter King website.  This week had Tyler giving his best Jake Gyllenhaal impression while singing ‘Kingfisher’.  See for yourself below:
  
  Tyler Butler :: Kingfisher from Yer Bird Records.

That is all I have for now – look for more suggestions this weekend!

~Smansmith

HI54LOFI Records has a new compilation out to commemorate Valentines Day next week appropriately called ‘I Love You & Stuff” but wait, it’s soo much more.  This isn’t just 15 tracks to impress the one you love/like or even not remotely know, you also get the opportunity to actually send them a Valentine card with your “purchase”.  Come on, you know you want to spread the love and what better way than with music (…says the music blogger).

There are some really great tracks on this compilation and while it not being exclusively “Slowcoustic” or anything it has it’s fair share along with a full range of indie for the whole family.  I wanted to include a favourite from a Canadian artist I have been keeping my eye on, The Bravest Ghost.  Sean Craib-Petkau who is this said ghost recorded a song exclusively for the compilation and its another winner, so kudos to HI54LOFI for seeking him out!  Listen to ‘Long Shot’ below;

“Long Shot” – The Bravest Ghost
from ‘I Love You & Stuff’ Compilation

So that is my “pick” from the release, but there are more of note I wanted to make sure get a mention including the pixie lullaby from Shedding Feathers entitled ‘Starlet’.  Shedding Feathers is a project of Craven Canary and A Singer of Songs (who also have other contributions from their respective bands on the album).  Listen below;

And for my non-Slowcoustic recommendation, I have started a bit of a head bopping affair with Lint Vaccine’s ‘Those Freckles Compliment Each Other’.  It is a bit lo-fi but fun and includes a cow bell – why can’t this be your bleary eyed crush this year?  I think it can, just take it for a test spin here;

Find out more on this compilation and how you can order it and send cards to some folks HERE.  Visit the Bandcamp page for it HERE.  Visit HI54LOFI HERE.

~Smansmith

Tyler Butler joins the crew over at our label Yer Bird Records and re-releases ‘Winter King’ on March 20th, 2012!

If you are reading Slowcoustic on a regular basis, you already know of Mr. Butler from Edmonton and we are very excited to bring one of our favourite albums of last year home to us over at Yer Bird Records.  We are re-releasing it with a couple of ‘bonus tracks’ as well!  The bonus tracks are a newly recorded version of “Feral Horse” from his previous EP Feral Horse plus the previously unheard title track ‘Winter King’.  All in all we couldn’t be happier here at Slowcoustic/Yer Bird Records with having Tyler on board as this album is simply amazing.  See a quick teaser trailer below plus the track listing.

Tyler Butler :: Winter King (March 20, 2012) from Yer Bird Records on Vimeo.

1) Barghest*
2) Morana*
3) Child-Ghost*
4) House Painter*
5) Waxwing
6) Kingfisher
7) Plover
8) Sparrow
9) Feral Horse (Winter King Version)
10) Winter King (previously un-released)

(*Re-Mastered for the 2012 release)

You also might want to check out a new video for Plover recorded in conjunction with this re-release over on the new Winter King website.  We will be uploading a video performance of all 8 of the original tracks on this site over the next few weeks!  For now also enjoy the newly remastered ‘Morana’ below.

Tyler Bulter: “Morana” by Yer Bird Records

~Smansmith

Small Sur – photo by Henn Pict

Today has been excellent so far.  Really excellent.

Small Sur posted on their Facebook wall this morning about a recent live recording that was up for a free download.  Apparently the long time in the making session for Mobtown Studios came to fruition and we now have 13 tracks to download from the “Microshow: Live in Baltimore” session!  Wrapped up in this set are some new tracks, old tracks (like a personal favourite ‘The Kelp’), mostly new tracks (like the personal favourite ‘The Woods’) and a few covers (like the personal favourite ‘Still Life Blues’ from Elephant Micah).  God damn it is an excellent day so far.

Oh, did I mention that Small Sur also said they are also recording a new album today?  Told you it was an excellent day.

Small Sur – “Still Life Blues (Elephant Micah Cover)” – Microshow Session
(this is just a taster at 192kbps – visit Mobtown for the full session at 320kbps)

Find out more on Small Sur: Website | Facebook | Bandcamp

~Smansmith

P.S.  Does Bob Keal’s vocals on this cover actually sound like Joe O’Connell from Elephant Micah?  I thought so too!

Canadian Matt Paxton has a new single from the good folks at Other Songs Music and it is a free download from their Bandcamp page.  The song was finalized late last year with the help from Scott Orr (of Other Songs Music) and features guest vocals by Allison Geleynse.  Its a beauty and I look forward to more from Paxton (you can catch a previous album on his own bandcamp here).

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Next we have another look into what we can expect from the upcoming Kim Janssen album Ancient Crime that should see a release from Snowstar Records on March 9th, 2012 (despite their website saying Jan. 26th…typo?).  We previously posted on the stunning lead off single “Tors” (see here) and with the new live performance of ‘Drift’ via InDeKringloop.nl, I have to say I am getting very excited about the album!

Enjoy your hump day by relaxing to these two new tracks already!

~Smansmith

Today sees the release of the newest opus from Elephant Micah. Being big fans around Slowcoustic HQ, this is an even bigger day as we also have a quick interview with Joe O’Connell along with our post on the album!

The album is “Louder Than Thou” and is released from O’Connell’s own label Product of Palmyra in digital and vinyl formats. It is 6 tracks of what might be called a return to form if you thought that was even needed from this Indiana project. First off, it comes in at 6 songs and some of you might say that it is an EP and not an LP, but songs range from 4 1/2 to 7 1/2 minutes each so we can all agree this album while still being a touch short is definitely in the LP arena.

The songs are described as “Avant Americana” and include instrumentation some may find experimental in nature but still natural with the songs. Louder Than Thou fuses a feel for the music instead of arranging 10 x 3 minute tracks of acoustic guitar. Sure I say that flippantly, but it is actually true – the album isn’t straight forward but still includes the bones of what would be called a folk album. Tracks like (my favourite) ‘Airline Living’ has this floating aura with 70s influenced band elements and this bass line straight out of a Sofia Coppola movie soundtrack. As a stand alone track, this one has been a favourite for weeks now.

The lead off single (if that is what you would call it) is the song ‘If I Were a Surfer’ and it could be the beginning to ‘Airline Living’ and is simply a blanket of pure velvety folk goodness.

You might even get a bit of ‘upbeat’ in the track ‘My Cousin’s King’ and ambient instrumental-ism in ‘Rooster On the Loose’ but you always know you are listening to Louder Than Thou. While there is an ebb and flow to the album’s song crafting, it is still a full album and is one that fits into the incredibly deep back catalog of the band.

I had a chance to have Joe O’Connell talk about a few items on who “Elephant Micah” is and a bit about this new album.

~Interview with Joe O’Connell of Elephant Micah~

• For those in the know, they [for the most part] consider Joe O’Connell to be “Elephant Micah”. Who (or what) is Elephant Micah to Joe O’Connell?

I guess Elephant Micah is the name of a project, and I’m the person responsible for that project. The name is just a placeholder… just a title that ties together some series of performances and recordings over time. It’s supposed to be, ah, adaptable.

On this record, Justin and Nathan Vollmar (of the band Vollmar) helped me arrange and record basic tracks. Kate Long, Kyle Langvardt, and Michael Anderson each did overdubs.

• Your website indicates that Louder Than Thou is the “…clearest statement of the Elephant Micah sound”…what should someone take away from the new album if they hear it for the first time today?

This project has developed pretty slowly over time. I think it has only recently started to hit its stride. I would like this record to come across as the work of people who have been at it a long time, who are making their most compelling music in the present, and who are committed to continuing on that trajectory.

On Louder Than Thou – there is an ebb and flow on the album from the softer singer songwriter to the more experimental song crafting – how do you balance the traditional and non-traditional sounds?

On this record, it was less a matter of balancing two different styles and more a matter of creating the right, ah, stylistic contour (?) over the course of the recording. We just aimed to make decisions (in arranging, performing, mixing, etc.) that would allow the songs to hang together… within the overall scope of a record that is fun to listen to, and changes a lot over its course.

What I mean to say is, I was probably looking for a way to have changes in style without polarizing (?) style in terms of folk vs. rock, quiet vs. loud, experimental vs. “poppy,” or whatever.

How is it to be an artist and your own label? Does your label half push you to release more and then your artist side ask to slow down and enjoy the actual music?

Ooh, well, it is impossible. I just want to get this record out there and I don’t know a better way to do it.

• Would you release any other acts on your label? Any side projects that you feel shouldn’t fall under the moniker of Elephant Micah?

Sure, if I had unlimited resources, I would want to help release other people’s music. I can think of lots of great projects to do along those lines. As it stands, though, it takes all the time and money I can muster to get one Elephant Micah record out.

• As a songwriter – do you collaborate, write from experience, collect stories and combine to create an song/album?

I think the answer to this question might be “no.”

I do fool around with words, tunes, and guitar parts a lot. When I hit upon something that piques my interest, I pursue it and try to expand upon it. Sometimes my sense of an idea is strong enough that it will lead to other ideas. I try to string these ideas together into a set that I can record as an album.

My ideas come from playing with language, themes, genre rules… and maybe sometimes the starting point of an idea is something you could call experiential or real… something sort of observational. But that is mainly just a jumping off point for the rhetoric of the song. If I sing about the village of Rocky Ripple, Indiana, for example, it’s because I find it useful for staging a song with a certain aesthetic about “real places” and “real people.” I do like these genres that are take up real life (country, confessional, etc.), but I think that how they work and whether they work is purely a matter of good style, not a matter of true stories.

• Do you feel successful as an indie artist?

At first I wrote “no.” It’s a struggle to gather up all the resources I need to make a record. That’s why it’s been a while between this one and the last one.

But I’m going to go ahead and venture that I do feel successful. I’m managing to make really strong recordings, and get them out to people that derive some meaning from them. I don’t want to come across as anti-commercial in any simple way, or as being indifferent to whether more people hear my music. And I don’t want to claim some integrity or importance on the basis of being “marginal” to the indie music world. But I think I can say that I’m happy with what I’m doing, and I do see it as successful by my standards.

• Who are a few contemporaries that you would want to work with?

Will Oldham, Dark Dark Dark, the Cairo Gang, Small Sur, Hiss Golden Messenger, Vollmar, Pillars and Tongues, Magnolia Electric Company, Breathe Owl Breathe, Lougow, Bronze Float, Time and Temperature, the 1-2-3’s, the Flying Burrito Others, Scout Niblett, Thousand Arrows, Hurray for the Riff Raff, the Luddites, Bubbly Mommy Gun, the Blue River Music Association, Jon Kay, Grease Gravy, Century of Aeroplanes, Jandek, Califone, Little Wings, Aurora Nealand, Delay, For Barry Ray, Ben and Bruno, the Hollows, Open Sex, Norman Oak, Mary Oakie, Joe Manning, Nathan Salsburg and James Elkington, the Red Queen Hypothesis, Honey Radar, Canadian Rifle, Tammar, Uno Moss, June Panic, Alasdair Roberts, Cathy Irwin, Mark Kozelek, June Panic, and more.

• What was your main “New Year’s Resolution”?

“Keep going,” as they say.

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Swing by the Product of Palmyra Bandcamp page HERE to pick up a copy today. Digital is “Pay What You Want” and the vinyl is a limited version of 375 and it will sell out.

~Smansmith

I know I have posted many times on this album and I am releasing it on my label over at Yer Bird Records, so I can’t really get into it anymore without making y’all upset.  So then, here is a track to listen to and let’s pretend that this is the first you have heard of this discovery and are ready to purchase and send me personal thanks for bringing it to your attention.

Find out more from our Label page or Bandcamp page.
Purchase: Label | iTunes | Amazon

~Smansmith

Water Liars (formerly ‘Phantom Limb’) are Andrew Bryant and Justin Kinkel-Schuster and they have an album coming up on Misra Records in March.  Just found out and just started to pine for it.  Just saying.

Both musicians have been featured on Slowcoustic prior (Andrew Bryant | Justin Kinkel-Schuster) and so this has to be a good thing…right?  You might also know of Justin as the singer for the band Theodore, so there is that as well to entice you.  So far I have only heard the below acoustic videos of a couple of tracks and admittedly the word is that the album versions are a bit different, but these sound soo good.  So consider this fair warning.  Water Liars – March 5th, 2012 on Misra Records.

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Remember, don’t get confused with the name change – they are Water Liars and the album is Phantom Limb (it was formerly going to be a self titled album….make sense?).

Find out more on Water Liars: Misra Records | Facebook | Twitter (I assume the name change will happen here at some point)

~Smansmith

Tomorrow sees the CD Release Show for hometown troubadour Reuben Bullock over at the Arrata Opera House here in Calgary.  I believe there is still space but make sure you check into the Facebook event for more info.

The new album “Man Made Lakes” from Bullock sees an album growth from the previous “Pulling Up Arrows” (see our feature here).  The new album is 11 tracks and honestly shows a full range of performances from delicate introspective to punchy indie rock.  Well mostly it is to the softer side but there is always something about Bullock’s performance that lets you know there is something inside almost clawing to get out.  Whether it is the gothic “Burial” to the definitely epic sing a long “Bow and Arrow”.

Where the album soars is in the moody and hallow tracks like “How to Fight” and “Pray For You” and even the stunningly fragile “Once Upon a Time” or “Lullaby”.  I also must list the track “We Belong” as it seems like the epitome of a Reuben Bullock track; focused acoustics along with the back and forth of cadence in the songcrafting.  The type of song you know brings the house down at live shows.  Wait…if there was a live show to see him where would you go?  Tomorrow’s CD Release makes for the perfect moment to see the album, hear the artist and come away with a new favourite album in Man Made Lakes.

Take a listen to a couple of tracks below to get you started along with a recent Streaming Cafe performance of a earlier Slowcoustic favourite “The Rain”.

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Find out more on Reuben Bullock: Facebook | Bandcamp | Website |

~Smansmith

Message To Bears - Photo by Luke Doyle

I love the original song (it is actually one of my all time favourite tracks) but there is something about a cover track not sounding like a carbon copy, ya know?  For this cover songs, ‘Wolves’ while originally also a beautiful and sparse acoustic number in its own sense, Message To Bears takes the acoustic song forward with layers of his own that almost make the song a different beast all together.  While the cover finds the song becoming less tortured and aching than the original, it is still a great homage to the song in my opinion.

Find Message To Bears: Bandcamp (new album is stunning) | Facebook | Twitter
Find Phosphorescent’s album “Pride”: Dead Oceans Label

Enjoy your Sunday!

~Smansmith

Quick Sunday post for all you looking for some great mellow tunes over coffee.  And it is completely free!

Found via my twitter feed (I love when others do all the ground work – thanks Leentje!) and I have to say, it is incredibly beautiful to listen to and if possible use headphones.  While it is halfway between acoustic folk and shoegaze pop it can find a home with lovers of both.  Tracks like “Winter’s Wall” that opens the album has a pseudo electro start that yields to a piano/acoustic ballad with a bit of electro pop drumming.   More true Slowcousticals will enjoy the tracks “Gold” and “A Heart You Can’t Find” especially – so I will include both below and make sure you head over to their website to download the 7 track FREE album (and in better quality 320 kbps files).

RIYL: Melodramatic Pop Songs – but in a good way.

“Gold”
“A Heart You Can’t Find”

Visit Wise Children: Website | Facebook | Twitter | Tumblr

~Smansmith

May your pace be lessened and your guitar be unplugged.Have a Slowcoustic 2012 everyone!

— Slowcoustic (@Slowcoustic) January 1, 2012

Sean Hayes
“New Years Day” (mp3)
from “Outtakes & Alternatives”
(Sean Hayes)

Buy at Amazon MP3
More On This Album

Quick hitter today from Slowcoustic Favourite Lotte Kestner in the form of a new cover project that includes a beautiful homage to Ghosts I’ve Met!

Anna-Lynne Williams (Lotte Kestner and 1/2 of Trespassers William) emailed me to give me the heads up while I was away on holidays last week and with my sporadic internet it was almost painful to not be able to listen.  Well, I have now been listening to the cover and it was worth the wait.  If you are familiar with Williams, she can add a stillness and beauty to almost any song…even if that song is already a stunner.  The original track from Sam Watts (Ghosts I’ve Met) is the title track from his own debut EP from a few years back and he and Williams have now connected in Seattle and what could be better than one covering the other?  Enjoy.

Find out more from Lotte Kestners new covers EP HERE.  Find the original by Ghosts I’ve Met HERE.

~Smansmith

I did this the other year and it went over pretty well I have to say.

One thing about putting up a list of music that you are saying is your “best”, “favourite” or “Top 12 of the year” is that your actual opinion is involved.  What?!?  Who needs opinion as it is rarely not swayed by what you think is good or what you might think fits your persona or what your readers want you to like.  Well let’s get rid of that elephant in the room and go with our iTunes play counts for tracks released in 2011 with the most plays in my music library.  This is my top 25 with 2 missing tracks that I dis-qualified as they are 2012 releases and still “unreleased” at this point, so there.

Slowcoustic’s 25 23 most played songs of 2011 up till the morning of December 11th, 2011

1. “Mary’s Gone” – The Deep Dark Woods
2. “All Things Past Serve To Guide You On Your Way” – Frederick Squire
3. “Holocene” – Bon Iver
4. “Lotus Flower” – Radiohead
5. “Big City Nights” – The Deep Dark Woods
6. “Goners Most” – Jeffrey Foucault
7. “Circle Drive” – Conrad Plymouth
   
8. “Anti-Pioneer” – Feist
9. “Passerines” – Jeffrey Foucault
10. “Everything to Me (Budapest Session) – John Statz
11. “The Woods” – Small Sur
    
12. “Never Prove False” – The Deep Dark Woods
13. “Barghest” – Tyler Butler
14. “December 25″ – South of Lincoln (now The Great American Desert)
    
15. “Wore It Deep” – The Tree Ring
16. “Man, Part 1″ – South of Lincoln (now Great American Desert)
17. “White Clay” – South of Lincoln
18. “Poor Eliza (Bridgehouse Session)” – Chris Bathgate (Free D/L via Mostly Midwest)
19. “Little Raider” – Will Johnson
20. “Corsicana” – The Antlers
21. “Caught a Long Wind” – Feist
22. “True Faith (New Order Cover)” – Lotte Kestner
23. “Albuquerque (Neil Young Cover)” – Jeffrey Foucault

There you have it, my most listened to tracks!  They pretty accurately measure my listening I believe…you will find that my top album of 2011 does not have any tracks on this list, but that is due to the Josh T. Pearson album tracks being soo long that each play is worth 3-4 regular song plays…yeah, that is the reason.

~Smansmith

The numbering (as most year end list makers will indicate) is pretty accurate but each album had definitely fluctuated over the course of the year but overall they can easily settle at a +/- 3 spots.  So let’s get started!

~Slowcoustic’s Favourite Albums of 2011~

12.  Mount Moriah – Mount Moriah

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11.  South of Lincoln (now The Great American Desert) – Homes

Man, Pt. I by South of Lincoln

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10.  Bonnie ‘Prince’ Billy – Wolfroy Goes To Town

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9.  Bon Iver, Bon Iver

“Calgary”

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8.  William Elliott Whitmore – Field Songs

William Elliott Whitmore – Field Song by antirecords

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7.  Chris Bathgate – Salt Year

“Salt Year”

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6.  Frederick Squire – Sings Shenandoah and Other Popular Hits

“All Things Past Serve To Guide You On Your Way”

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5.  Tyler Butler – Winter King

“Morana”

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4.  Dolorean – The Unfazed

Dolorean – Country Clutter by Fargo Records

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3.  The Deep Dark Woods – The Place I Left Behind

West Side Street by The Deep Dark Woods

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2.  Jeffrey Foucault – Horse Latitudes

“Goners Most”

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1.  Josh T. Pearson – Last of the Country Gentlemen

Josh T. Pearson – Woman, When I’ve Raised Hell (Alternative Version) by Mute UK

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There you have it.  Now…discuss!

~Smansmith

Today is kind of a blast of 3 artists/songs that I have been listening to the past week due to recommendations and obvious discoveries.  Soo then, BAM, quick hitters!

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First off, Northcote is Matt Goud out of Victoria BC (that’s in Canada folks) and I discovered him as he is on the bill for the “Prairie Roots Revue” tour that Zachary Lucky updated me on as he is also part of this great roster of traveling musicians.  Then I discovered that Northcote has some free tracks from his website, so I think you all need to listed to a few of these acoustic demos/outtakes/alternate versions.  He has an album worth checking out called ‘Gather No Dust’ (iTunes) which includes the formal & less acoustic version of the track ‘Devils’ below:

“Devils (Acoustic)” – Northcote

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Next we have fellow Prairie Roots Review member Carly Maicher which was a combination Zach Lucky recommendation and April at Common Folk Music mentioning her…so obviously I had to look into it.  I had heard of her before but didn’t actually hear her prior – god dam, this is a great album that she has out now, “Hiding”.  She has a sultry and earthy vocal presentation over mostly sparse banjo laden tracks.  What else can a guy ask for really?  The album is one of my favourite end of year discoveries for sure.  Find it streaming on her Bandcamp page and find the absolutely gorgeous track “Worry” below.

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Finally we have a recommendation from Ben over at Vocal Nerd Rodeo who slapped the below track on my Facebook wall all casual and what not.  You know, no big deal just a guy from Denmark with some pretty damn decent acoustic jams and the below sad bastard track.  So I thought you could all check it out as well – he is offering the full WAV version for free download from his below linked Soundcloud page as well.  If you wanted to check out the whole album and offer up some pay what you want action, you can visit the Bandcamp Page as well.
December by TheWhiteAlbum

That is all.  Stick around tomorrow as there will be 2011′s Favourite albums by Slowcoustic making an appearance!

~Smansmith

Seattle based singer songwriter Sam Watts (Ghosts I’ve Met) has a new EP he has available at his live shows.  The EP “The Light Opera” has just started in rotation over at Local legend/radio station KEXP as well, so keep an ear out there as well.  The collection of tracks can be purchased from Sam directly if you are not able to make a local show (please email us and we can get you in touch if you were looking to pick up a copy) and it is still so new that it has no artwork!

The EP was recorded earlier this year at a Lakehouse in Leavenworth, Washington with Ghosts I’ve Met recording/live performance regulars Bill Patton (yes that Bill Patton) and Faustine Hudson.

We do have a track to share with you courtesy of Mr. Watts and it is true to form with his airy acoustic performance but with one addition…there is some percussion working its way into the mix here…not out of the question for this particular “folk” artist but GIM has traditionally gone light or without the element.  I like the sense of purpose it gives the track, if not a small jolt of gravitas if I had to say!  Enjoy.

“Dark Blue Sound”  – Ghosts I’ve Met, from the EP ‘The Light Opera’

Find more Ghosts I’ve Met on Bandcamp and over on Yer Bird Records.

~Smansmith

The Black Atlantic’s new EP “Darkling, I Listen” is a step beyond their previous album “Reverence for Fallen Trees” as they are not sitting on their laurels and are moving into a larger more full sound.  The crew have been huddled together growing their acoustic roots into a more full band sound and brought ‘Darkling’ to life over a few months in spring/summer 2011.  This is not to say they were never a “full band” prior, it is just the music was more of an intimate folk experience while Darkling, I Listen incorporates splashes and bursts of pure indie pop & sonic soundscapes while remaining essentially folk at its core.  Some might compare to the transition of The Black Atlantic’s sound to something along the lines of Bon Iver’s “For Emma…” album to the new “Bon Iver, Bon Iver” album.  But I am just sayin’…

Overview of “Darkling, I Listen” lyrically:

” Lyrically the songs paint the psychological tensions and inward journey of a protagonist who, after an argument, finds himself going through an intense emotional/existential rollercoaster ride.  Over the course of his sleepless night, his past, his reality, and his future appear in a whole new light of day.”

The way the EP transcends the traditional smaller scale of an “Extended Play” release is almost in the way TBA weaves the many musical elements into the songs almost like chapters of a novel.  It builds upon itself and tell stories as well as entertains with songs.  Unabashed with stating influences such as ‘70’s psychedelic folk–rock, Phil Spector-esque orchestrated chamber pop and 60’s Motown soul‘ the songs really grow in scale.  Those that are long time fans and finding my comparison to the ‘new’ sound may be worried, but do not shy away from it, embrace it…as it will you.  You still have songs like the opening track (see below) and the final track “Quiet, Humble Man” that harken to the sombre beauty of earlier works.

Fans may embrace this new Black Atlantic and some may pine for the former…personally, not unlike the Bon Iver analogy I tend to follow the band and enjoy the musical paths they are taking.  Listen to the opening track “The Aftermath (Of This Unfortunate Event)” below.  Find more, stream more, purchase more on their Bandcamp Page.

01 The Aftermath (Of This Unfortunate Event) by Beep! Beep!

Full Track Listing:

The EP is officially released on January 13th, 2012, but a pre-order now gets you the digital files including artwork.  The artwork is quite extensive and adds to this as a full experience as a release.  A must have.

~Smansmith

Very happy to find in my twitter feed about a new release from Joel P West (frontman of The Tree Ring – see a post on them here) and I want to assure you right now that my excitement for new material was well warranted!

There is something about West’s voice that makes me want to join in (and utterly destroy what he has going on mind you) as his timbre just works for these rich textures of acoustic goodness.  The ‘Shoulder Seasons’ EP is 5 tracks recorded just last month and were officially released on his Bandcamp page on Nov. 24th.  As the EP is an acoustic affair, I don’t want you to think it is “stark” & “lonely”, but actually quite full of rich sounding layers of strings…and again that voice over it all.  West gets a bit of help from an outside string section for the closing track ‘We’ll Learn Them Soon’ that is featured below as a perfect closing song and to match it, the opening track ‘Desperate, Desperate’ is also included.  The EP is a must have for a measly $5.00.

So swing on by his Website for more info on Mr. West & Bandcamp Page HERE to pick up the new EP, check out his film Score for The Room Behind The Fireplace and do not forget his Dust Jacket project from a few years back.

~Smansmith

I have had some real great stuff float across my inbox, twitter feed, facebook timeline and overall discovered from my never-ending scouring of the world wide web.  Thought I would share as some of this stuff is just soo damn good that we all need to be listening (if you aren’t already – you Slowcoustic readers tend to be ahead of the curve in the first place…let’s be honest here).

• Lotte Kestner is more than a musician, she is an “official” poet now!  She has a book of poems entitled ‘In the Night I Go Sailing’ and you can purchase HERE.  I also mention this as her words were recently put to the test as lyrics sung by none other than Damien Jurado.  Please swing by her Tumblr page and listen to the demo for “Blind Accidents” HERE.
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• Samantha Crain covered a Slowcoustic favourite Chris Bathgate earlier this year and it has turned up on her Halfway House Music Session.  Catch/Download her version of “Salt Year” over at Halfway House Music HERE.  Watch the video for it below:
  
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• Just a reminder that John Statz is releasing his next full length album with us at Yer Bird Records in January – check out the lead off track “Distance” from our Bandcamp page!
  
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• You have to watch one of the “Notes From Home” videos that features Trespassers William, Joshua Morrison and Tomo Nakayama (of Grand Hallway).  TW even cover The National’s ‘Fake Empire’!
  
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• As I was so impressed with the video above, I checked out both Joshua Morrison (find him here) and Grand Hallway (find them here) that I thought I should share some tracks from them as well!  The Grand Hallway track is the one that Nakayama performs in the video above called “Little Sister” and the Joshua Morrison track is “Bastille Day” from the benefit album Songs for Japan: A benefit for Red Cross (that Grand Hallway has contributed to as well)
  
  
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• Matt Arbogast, or The Gunshy has some new material in the form of a one track sampling that is classic Gunshy.  Listen/Download via Bandcamp embed below:
  
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• Just thought I would post a live track from Ryan Adams as it made it into regular listening this week.  The classic ‘A Bar is a Beautiful Place’ from a 2001 performance: ‘The Bar is a Beautiful Place’ – Ryan Adams
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That is all I got for now, hope you find something in there to enjoy!

~Smansmith

Sorry couldn’t resist the Patrick Bateman in headphones photo when looking for an “HQ” & “Music/Headphones” image.  If you have read the book American Psycho, you will know that when they get into describing music (regardless of style) you will know what it is like to be a music junkie.  But I digress…

Thought I would simply grab whatever is kinda new and playing around here up for perusal, listening and mocking.  You know, a Saturday playlist!

First off, the band responsible for one of my favourite albums in the last few years has a new song out.  Yes, The Black Atlantic has new material out from Beep! Beep! Back up the Truck over yonder!  While it has a new feel for the band, it is beautiful and brings a new facet of the band in my opinion.  There is a new EP, “Darkling, I Listen” that is practically done, so there is more to come.  Take a listen below to the first track;

The Black Atlantic – The Flooded Road by Beep! Beep!

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I have also been listening to the upcoming album from Rob St. John via Song, by Toad Records over in Scotland.  The album is called Weald and is in a word haunting and in another word intoxicating.  There is just something that hits you square in the face and drags you inside.  I get such a strong Ian Curtis (of Joy Division) vibe from St. John’s vocals on songs like “Domino” & “Sargasso Sea” but it eases up on more traditional singer songwriter cuts like “Acid Test”.  Maybe the Ian Curtis comparison is where I get the haunting impression from…so it may be misplaced, you tell me.

Rob St. John – Sargasso Sea by Song, by Toad
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Lately I have also been listening non-stop to the Chris Bathgate Kickstarter Reward Downloads.  One of the great things about getting all these songs (I think there was almost 40 of them in total!) was rediscovering the album “Silence is for Suckers”.  This album was always either my favourite or hovering in a close race for top spot the whole time, but listening to the Kickstarter remastered version brought it all back.  If you have it in your back catalog, please listen to “Cinder” in headphones right now.  Let’s help you, shall we:

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You might also want to check out Conrad Plymouth covering Strand of Oaks’ track “Two Kids”.  A little retro with the drum machine, but sooo good.  Visit the Conrad Plymouth Tumblr page HERE.

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Just to let you know that I can switch speeds and I am not a one trick pony, if you were looking for a great indie-folk-pop album from Canada (and I know you are) – check out the new album ‘The Hunting Party’ from Corey Isenor (see his bandcamp page here, that also includes his awesome “Frost” album).  There is also a nice infusion of banjo in it, so it has to be good right?  Take a listen to the first track (and one that has some of that nice finger picking banjo) now;

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Now go forth and listen this Saturday!

~Smansmith

Brought to you from the good folks at Crossroads of America – Bro. Stephen is a relatively ‘new’ discovery for me.  Bro. Stephen (Stephen Scott Kirkpatrick) has a brand new 7″ that found its way to me way up in the great white north of Canada, and I am very glad it did.  This limited to 300 vinyl offering brings 3 tracks including the title track “Patrons of the Arts” and two b-sides “The Truth” and “Previous Things”.

If you are reading this about Bro. Stephen and are not here by mistake, you will know that he is bringing his acoustic guitar along for the ride on this release and I have to say it works out for him (and the b-sides are hardly ‘b-sides’ if you know what I mean).  I don’t have any official listening options as currently the release is vinyl only, but I am sure we will see a digital offering soon once all those 7″ copies are snapped up…so get to snapping them up right here.  For now, listen to a YouTube embed for the track below:

And as this is “Artist” of the day and not just “Song” of the day, lets keep on with the sampling, shall we?  How about one of the tracks from the Bro. Stephen contribution to Flannelgraph Records “Laminar Excursion Monthly” series that was one of my best buys last year.  Enjoy “Telephone Two” below.

Aaaand to top it off, how about a “bedroom folk” demo?  Okay, I thought so.  The below is “Where The Ohio” that I found via Last.fm.  Very lo-fi, hushed, short and sweet.  Its good stuff.

“Where To Ohio” – Bro. Stephen

Just so you know, there is an expected full length release in 2012 that will include the first track above “Patrons of the Arts”, but my current recommendation is getting that 7″ as it also includes the 2 b-side exclusive tracks!

Find out more on Crossroads of America and his blog.

~Smansmith

Possibly the one song to sum up Ryan Adams to me is “Come Pick Me Up” when it is done solo acoustic. The song is a total sad bastard song done the way I like it.  Mostly because it has:

•  A poor bastard getting fucked over as subject matter
• Harmonica
• Uncontrollably catchy hooks (but in a good way)
• Hushed acoustic /strummed acoustic guitar
• Harmonica
• A chorus that endears the singer/protagonist while embarrassing anyone around you as you sing it aloud in public.
• Harmonica

Well I thought I would share a recent discovery from his current/recent tour to promote his new album Ashes & Fire.  The recording is from a stop in Denver this past September and the good folks at ‘That’s The Thing About That’ Blog had recorded and offered the complete show for a free download.  It is a fantastic recording and Adams did not disappoint – he played & sounded great and actually played a perfect selection of tracks.  See the original post HERE with links to download in mp3 and FLAC formats.

I actually found this recording via ‘I Am Fuel, You Are Friends’ blog as she conveniently uploaded each track individually and is also hosting the complete show if you have any problems with the original downloads linked above.  See her post HERE.

Without further adieu, your song of the day;

“Come Pick Me Up (Live in Denver)” – Ryan Adams, Live in Denver, CO 2011-09-15

~Smansmith

I picked up this album yesterday on limited white vinyl for $15.00 with shipping to Canada.  This is something to give thanks for on this Canadian Thanksgiving…or as I know it, Thanksgiving.

Everything about this album is easy; its beauty, how you immediately find yourself a bit more comfortable when it is playing and then how you will keep it playing over and over.  The only hard parts about it is learning the spelling of Frank’s last name and knowing the fact that it came out a couple years ago and you are just purchasing it now.

Listen:

Something else you might want to look into is his contribution to the LEM series (Laminar Excursion Monthly) that I subscribed to last year – it was a 3″ CD monthly subscription from the folks at Flannelgraph Records – it was good stuff (despite the fact that I can’t actually play 3″ CDs in my iMac….).  It is a little darker and lo-fi, but still great – you can stream or purchase it digitally now on Bandcamp.  Listen to the track ‘Best Man’ below:

Find more on Frank Schweikhardt on his Bandcamp page, website, Facebook and the Crossroads of America site.

~Smansmith

Thought I would post on my top LAST.FM artists of the last 6 months for your perusal and judgment.  While not completely accurate of my listening as there is still my listening to music non-stop during my commute to work (2 hours daily) and my sad basement day job that don’t get scrobbled to Last.fm for these charts.  Overall I feel they reflect what I am listening to, but some artists may be up or down a spot or two.  Let’s get on with it!

~Slowcoustic’s Last 6 months of top artists playlist~

1.) Dolorean
Listen: Ghost of David (Damien Jurado Cover)

2.) South of Lincoln

3.) Jeffrey Foucault
Listen: Goners Most

4.) The Deep Dark Woods
Listen: West Side Street

5.) Pickering Pick
Listen: Like a River

6.) J. Tillman
Listen: Three Sisters

7.) Tyler Butler
Listen: Morana

8.) Frederick Squire
Listen: All Things Past Serve to Guide You on Your Way

9.) Bryan John Appleby

10.) William Elliott Whitmore
Listen: Old Devils

~~~

There you have it, what I have been listening to the most in the last 6 months.  What about you?

~Smansmith

If there is something I appreciate, it is a great sense of instrumentation, harmonies and use of acoustics in my “folk” music selections.  Small Houses (or Jeremy Quentin as the government knows him) includes all these things in his sound.  Quentin has recently been added to our ‘featured videos’ on the front page for a great session of Country Flowers from the new album and this is the official “you should listen to…” post on it.  So then, you know I am a fan of Small Houses and that I think this is a good record.  You should be counting down the days until October 6th.

The album ‘North’ is almost a combination of Small Houses songs that have been in the works for a while because if you follow this Michigan artist, you will see familiar songs titles…all have been reworked and sing anew.  The songs sound a bit more dense, you can dig into them and hear them all over again.  Songs like “Late July” now include crisp piano and pedal/lap steel that really makes all the difference. You have a couple of instrumental tracks and even an upbeat version of “In the Lawn” – which you know has come to be from the energy of live shows.

There is also a plethora of contributions throughout the record from fellow musicians like Chris Bathgate on mandolin, Samantha Crain joining in on vocals and even Phil D’Agostino (of Hezekiah Jones) on bass among numerous others.

Personal favourites include “Late July”, “The Ground, It’s Glass”, “North” and “Country Flowers”, so look out for them when you pick up the record.  So for now enjoy a full track-isting, video from the Small Houses Bridgehouse Session and the title track to the new album below;

1) The First Year After
2) Instrumental #1
3) Country Flowers
4) I and My Maker
5) Late July
6) In the Lawn
7) Instrumental #2
8) Tired and Twenty Cities
9) The Ground It’s Glass
10) North (mp3)

~

Small Houses Bridgehouse Session Pt. 3 (Late July) from Mostly Midwest on Vimeo.

Find more Small Houses: Website | Facebook | Twitter
Purchase Small Houses: iTunes | Bandcamp

Check the CD release shows for you Michigan folks below

MICHIGAN CD RELEASE SHOWS (w/ Paleo):

Oct. 5 – The Local Music Show (Radio) – Ann Arbor, MI
Oct. 6 – The Strutt – Kalamazoo, MI (w/ Paleo, Fiona D, and Gitis Baggs)
Oct. 7 – Scene Metrospace – Lansing, MI (w/ Paleo and Sacred Strays)
Oct. 8 – House Show – Albion, MI (w/Paleo and Reef Theory)
Oct. 9 – Dreamland Theater – Ypsilanti, MI

~Smansmith

Now playing the newest Scott Orr album Where I Lived, And What I Lived For this Sunday.  If you are looking for a great acoustic album that brings some slow burners and even a few not so slow burners (for those mid-tempo-coustic types) this just might be your next album.

I apparently thought I was listening to this album for a few months but in turn I found out I wasn’t listening to it at all until about 3 weeks ago when Scott called me on it.  For shame.  It was quickly remedied by Other Songs Music Co. and I had a copy of the album almost instantly.  Good folks over there.  So I started listening and the album starts out on a high note with what most are calling “THE song” on the album “In the Belly of a Whale”.  The song is getting a fair amount of warranted buzz for the pitch perfect delivery and soothing acoustics that it brings to the listener.  It is weird, the song has no real percussion for the most part but you feel the ebb and flow as it plays…almost like breathing.  A clear winner for the album.

I warn you not to stop and keep this track as “The Song” as there are more that can stand just as tall in this singer songwriter’s bag of acoustic goodness.  Currently songs like “Knots”, “Who Loves You” and “Nobody’s Someone” are just as compelling and warrant the same amount of love as the lead off track.  Take a listen to Nobody’s Someone below and tell me it doesn’t hit the same mark?

Overall the album should be part of your Sunday listening (regardless if your Sunday happens 7 days a week) and you should take the time to find out what Scott Orr lives for.

Visit Scott Orr:  Website | Other Songs Music Co. | Facebook
Purchase Scott Orr:  Other Songs Music Co. Bandcamp

~Smansmith

Just letting y’all know that Philadelphia’s Hezekiah Jones is now fully up on Bandcamp for all 4 releases from Yer Bird Records.  You can now stream two of my favourite songs from 2011 – see below for “Lift the Shadow From This Heart” and “Last Parade on Ann St. (Chris Bathgate cover)” from the latest album, Have You Seen Our New Fort?.

~

If you are in the Philly area, make sure you don’t miss the Sept. 23rd show with Sharon Van Etten, Marissa Nadler & Hezekiah Jones at World Cafe Live for the Philadelphia F/M Festival, Weathervane Music and 88.5 WXPN show!  Get info on it here.

Find more on Hezekiah Jones: Bandcamp | Facebook | Twitter
Purchase: Bandcamp | Yer Bird Records | iTunes

Iron and Wine perform ‘He Lays in the Reins’ on Sound Opinions from WBEZ on Vimeo.

Just a track that I have always liked since the collaboration between Iron & Wine and Calexico some years ago.  This track has just always been a favourite for some reason.  I have a couple versions that have circulated around for a while and thought I would make a stab at it being a favourite for you as well.

“He Lays in the Reins (Home Sessions)” – Iron & Wine
“He Lays in the Reins (live at the Triple Door)” – Iron & Wine with Calexico

Tell me that isn’t a great tune?

~Smansmith

Just pre-ordered my vinyl & T-Shirt combo for the new album via their Bandcamp – go here and get it too!

~~

This Owen track is EXACTLY how I hear his music.  This is like a greatest hits for Owen turned into a one-track anthem.

~~

Triggertown’s “TT” album is a FREE download via their Bandcamp page (here) and it includes some great tracks – I specifically love the waning violin matched to the pedal steel  in this track.  Soo good.

~~

You’re Almost There by Lanterns on the Lake

Lanterns on the Lake are about to release their new album on Sept. 19th and I have always kind of been partial to the spacey mellowed out beauty in their sound.  The new album is no different and provides it in spades.  MP3 download: “You’re Almost There”

~~

So enjoy your Saturday with a cross section of some music that could quite neatly fit into one corner of the box that is Slowcoustic.

~Smansmith

South of Lincoln was ‘discovered’ via an innocent recommendation in the forums at AltCountryTab.ca and it wasn’t even directed at me.  Yet, it ended up being meant for me…I know it.  South of Lincoln (or Maxwell Holmquist) is, you guessed it, a singer-songwriter who plays slow and acoustic music for the most part.  Yet, he does it so incredibly well by creating moods and moments that you truly fall inside of.  Small slices of life via acoustic vignette.  Some of these moments are of places you don’t wish on anyone, but in turn many of these cathartic stories set to music are needed by everyone.  It may sound overplayed about a guy with a guitar singing of love and loss – but god damn if you can’t appreciate it when it is done this good.

South of Lincoln is coming out of his shell just now and I only hope to be able to help facilitate more fans of this style of music and this artist in particular.  Do yourself a favour, read an interview below and listen along with some music samples.  Best.  New.  Artist.

~~~Interview with Maxwell Holmquist~~~

With your recording moniker ‘South of Lincoln’ and involvement with Hear Nebraska – how is the area connected to you and your music?

I’ve always been sort of obsessed with place. The name of my first album is “Homes” and I actually spent time deciding between “Home” and “Homes”. I’m interested in the concept of home and where that place is and what it means.

Everything about where I grew up has influenced my writing. I think my nostalgic obsession with the folksy, early-1900’s aesthetic comes from growing up in a tiny, dying Midwestern town (Douglas, Nebraska: Population 250). Time has sort of stopped there and the buildings are snapshots of different periods of the last 100 years. Everything just moves slower there and it’s become a peaceful refuge for me.

I have a tattoo of the outline of Nebraska on the inside of my upper arm. I love this place. It’s full of inspiration in the way of beautiful scenery, rich culture and history and honest, heart-wrenching stories.

Hear Nebraska is working to show everyone that fact: that Nebraska is full of rich culture and that art is being created by multitudes of people across the state in various forms. It’s provided a community and an environment that is ideal for creating.

It hasn’t always been that way, but in the last year I’ve thought a lot about the value of a recording. Should a recording be a representation of what a musician is doing constantly on stages across the country, or should performances be built to represent something that was built in the studio, layer upon layer? The conclusion I came to, for myself at least and for the type of stripped down music I’m playing, was that the value of what I’m doing is in the performance itself. If I can move someone to come to some sort of emotional peak with a performance and the atmosphere of that evening and everything that’s going on at that place and time, both within the listener’s mind and externally, then I’ve accomplished what I hoped to accomplish. I want my recordings to capture that atmosphere and the surroundings. Half of the tracks on my most recent album were recorded to tape in the bathroom of a recording studio, the other half were recorded in the middle of a forest in a park outside of town. I’ll always remember that experience. You can hear the birds in the background of the recording and the setting almost becomes a part of the song.

LoveDrunk Studio, the group that shoots the one-take live videos that are hosted on Hear Nebraska, got me really thinking about the single-take philosophy. I think this combination of audio, video and live performance is something that will be seen more and more.

My earlier songs were all sappy love/heartbreak songs drawn from personal experiences. I needed to get those out of my system. In the last year, I’ve made a shift to writing songs that tell fictional stories or stories that draw loosely from the experiences of people I know or stories I’ve been told by people. I much prefer telling these types of stories.

It’s a strange experience, especially when people you don’t know start recognizing you and opening up to you, telling you that they connected with something you wrote. It’s a really strange feeling when somebody asks you to sign something. I feel like saying, “I would love to sign this when more than 40 people know who I am.” It’s easy to see how musicians at higher levels gain reputations as assholes. I don’t want people to think that I think I’m above signing something. It’s the exact opposite. It feels so odd having strangers talk to you and know who you are and people wanting you to sign something, it doesn’t feel like it should be happening. I don’t feel like I deserve that kind of flattery. Then I realize that it’s not about me and if somebody wants that then I should just do it and thank them for their support.

Nothing in-particular comes to mind. I try to write stories that come to my mind or are dropped in my lap so I think my natural filter would leave out anything that I may think is off-limits for me. I try to avoid being political in my music. There are only a few musicians who I think do it well. David Bazan is one of those. It’s all semi-veiled in his music and it’s done with tact and skill. I don’t know that I can do that so I typically avoid politics and religion in my music unless I can do it without being too obvious.

With record labels going where they are and the business model shifting towards DIY I think ‘singer-songwriters’ are in a good place. Recording costs are low and it’s relatively easy and cheap to put out a fairly high-quality album, especially when it’s just one person with a guitar and a voice. It’s easier to front the money yourself and the benefits of this are that more money goes back into the pocket of the musician when albums are sold. If a solo-musician can manage it, it’s the best way to do it. It takes a lot of work off state, outside of writing and performing music, but I think there hasn’t been a better time to be performing as a solo musician.

I also think the singer-songwriter/solo musician situation lends itself well to folk music. With the folk/alt. folk movement that has been building over the past decade or so it’s the perfect climate for someone to perform as a singer-songwriter.

It definitely takes a lot of work and can seem a bit lonely, but it’s a lot easier to manage one person and make decisions when you’re making those decisions for yourself.

In high school I sang in what I would call a butt-rock band. I wasn’t always into fantastic music and definitely have some albums that are probably hiding in a box somewhere at my parents’ house. I listened to a lot of my brother’s albums growing up: R.E.M.’s “Monster”, Soundgarden’s “Superunknown”, Sublime, etc. When I was about 16 I got the Garden State soundtrack and got really into Iron & Wine. That was the beginning of my love for alt. folk. Over the next few years I was introduced to David Bazan, Damien Jurado, Will Johnson, Two Gallants, Neko Case, Andrew Bird, Mason Jennings and the sort. They became the soundtrack to every long drive through the country to the house where I grew up. Folk music became synonymous with the nostalgia that I feel for all of the great experiences I had growing up in a small, not-quite-ghost-town.

I’ve been performing in bars since I was 16 so it’s hard to imagine anything else. I have a degree in English and really enjoy writing. If I had to set down the guitar I would be content writing copy in pretty much any capacity, but I also can’t imagine having to stop playing music. I suppose my real passion is my family and my friends, but they’re already my passion side-by-side with my music.

This is really all I want to do. I don’t want to get rich. I just want to pay my college loans and feed myself. I want people to hear my music and enjoy it. I want the experience of traveling far from home and being able to sing to a crowd of strangers who appreciate what I’m doing. I want to connect with all of these people.

As far as folk/folkish music goes: Manny Coon, Smith’s Cloud, It’s True/Adam Hawkins, Betsy Wells, Daniel Dorner, Orion Walsh, Kill County, The Amalgamators, The Mezcal Brothers, Bonehart Flannigan, The Betties and probably a bunch more I’m missing.

For non-folk, other amazing bands: Conduits, Masses, Dim Light, Nick Westra, The Machete Archive, and again, probably a bunch more that I’m missing.

Lincoln and Omaha have both provided and continue to provide so many amazing musicians.

Man, Pt. I by South of Lincoln

~~~

Find more on South of Lincoln: Facebook | Bandcamp | MySpace | Hear Nebraska | Twitter
Purchase South of Lincoln: iTunes | Bandcamp (all releases are ‘pay what you want’!!)

~Smansmith

Re-post from way back in January 2009 with the final track to the President’s project from Christian Kiefer/Jefferson Pitcher/J. Matthew Gerken and released from Standard Recording Co.  The package came to be via the FAWM (February Album Writing Month) and included many contributions…including Will Johnson below.  Enjoy.

Update to the post below and the Songs for Presidents and the “Of Great and Mortal Men: 43 Songs for 43 U.S. Presidencies” project. NPR debuted the 44th track, that isn’t included on the original 3 disc set as it was released prior to the US Presidential election last November.

Well here it is – Barack Obama (Someone To Wake) as performed by Will Johnson. Check the original post here and take a listen below.

Will Johnson’s “Barack Obama (Someone to Wake)” – from the “Of Great and Mortal Men” album.

~Smansmith